It's easy to preview maps in progress, and writing in progress, but the actual design in progress is such a ghost of a thing ... But I'll try:
This evening we were hanging out at a local pizzeria, tapping at our devices, and I was doing some historical research for Hammondal, which is fantasy, of course, but I love plundering history for strange little details, and I ended up focused on the matter of how European seaports dealt with the importance of foreign mercantile interests, and how open they were and how restrictive they also were and this dance of additional liberties to entice, additional laws to control, yadda-yadda. This is important to the book because 20-30% of Hammondal is under the influence of foreign traders and that's a big part of the city's texture.
And of course I'm designing Hammondal as my kind of gameworld, so I'm picking through the contrasting sets of laws for these different historical cities and plucking a piece from here and a piece from there ... and I'm once again face-first with one of the beautiful ironies of tr*sty design: that some of the juiciest concepts for high-tr*st play come from deeply mistr*stful NPCs. The Paranoia effect, if you will.
By which I mean: the most extreme measures to control the power of foreign merchants are the richest in RPG potential, because they introduce more in-world rules that the Player Characters can exploit, or face, or sidestep, and they introduce more intersections between characters of all kinds, more potential for motives to collide, or strange bedfellows to cozy up. The Champagne Fairs, collecting "safe-conduct" revenues on certain ethnic groups, and using licenses to turn fair organizers into privatized tax collectors. Venice restricting foreign merchants to the Fondaco dei Tedeschi and assigning personal brokers to each foreign trader to keep an eye on them and oversee transactions. Bruges requiring that innkeepers record and report - daily - all foreign guests. And my favorite one of all, Paris requiring that foreign merchants bringing goods along the Seine to partner with a Parisian merchant who would share in their profits. That's just so ... RPG juicy, right there, shoving competing merchants together in a sitcom-worthy Odd Couple, by law.
And of course, bits of all of these make their way into the design of Hammondal, and they'll boil and tangle with the city's other features and quirks and prejudices and priorities, some of which are cobbled together from entirely different pieces of history, or whatever comic book I just read.
Anyway, that stuff has me excited tonight, so while it's all still ... inchoate, incorporeal, Schrödinger's catlike ... it just felt like a fun thing to blog about as I wind down from tonight's writing and mapping. Here's the obligatory dump of recent Hammondal development imagery:
Some Bullets
- I recently re-read a CoC adventure published in 1987, where the PCs (in the 1920s) meet Legs Diamond, Irving Berlin, F. Scott Fitzgerald, and Dagon. For my usual GMing style, that's at least three famous NPCs too many. Now to decide which one to keep.
- I really need to do an article about my very favorite fantasy RPG city worldbooks sometime. There are about a half-dozen I hold as gold standards, and they loom large (in the best way possible) over Hammondal.
- I'm really digging Moon Knight on Disney+, and as usual I'm admiring the clever tweaks they've done bringing the character into live action. That said, since I was reading the 80s comics recently I have to ask: Since Layla speaks French, and we learn that right out of the gate, can someone give her a helicopter, please?
- I think it's time for me to gingerly tiptoe back into face-to-face gaming. Still being careful with the Covid, of course, because we're not out of those woods yet, but I do think it's time. I've been chatting with a few old friends here in Denver and prodding at the concept. But for the moment I'm sticking with audio gaming via Discord.
